Just finished reading the hefty autobiography of Bruce Springsteen, Born to Run. As long as it is, I wonder how much got trimmed along the way by the author himself, as Springsteen the songwriter is an incredible poetic storyteller and knows the value and power of words (and music as well) … and it’s not like he could ever include everything anyway (was still sad that the book didn’t talk about his participation in the making of “We Are the World”).
Appreciated that he didn’t hide himself (completely, at least) in telling his story, and offered his usual raw look at life, including his own struggles:
Otherwise, if you’d like to hear/see some of Springsteen in action not only as a performer but most of all as a wordsmith, check out some these favorites of mine, which would be material enough for a writing course on their own:
“Thunder Road” [listen for “There were ghosts in the eyes…” and the next line about Chevrolets — such stark visual word-painting]
“Jungleland” [listen for the line about the barefoot girl — more great imagery thanks to little details]
“Streets of Philadelphia” [opening lines so brutally personal, from the point of view of the narrator: mainly Tom Hanks’ character in the movie Philadelphia, and yet such common emotions for all of us at one time or another in life]
“American Skin (41 Shots)” [tackling a lightning-rod issue with this one … studio version with lyrics here]
“The Ghost of Tom Joad” [kind of a culmination of how he taps into creating music that isn’t afraid to speak to modern culture … studio version with lyrics here]
PS: Found an Apple interview with Springsteen and really liked this line from him when asked about writing a book rather than song lyrics:
“You gotta find the music that’s in the words themselves.”
Sage wisdom for writers of any kind …
Whether you’re planning to indie-publish or try the traditional route, publishers want simply formatted copy that they can easily convert to their house style. You’ll of course want to follow any specific guidelines given to you by a publisher or agent, but even as you craft your manuscript before submitting it for publication, you can ensure your document is going to meet industry expectations.
The following formatting specifications have worked well for my clients in this regard, as these specs provide a clean, neat document that’s easily read and easily transferred into a design program:
One question I encounter somewhat regularly from authors is: “Should I attend a writers conference?”
Before I actually attended a writers conference myself, I would have likely responded with questions about what the author hoped to accomplish by attending, if it would be a financial burden for them, etc. Now, having attended some conferences myself (both as an author and as faculty), I don’t even waste time with such replies, but instead just say, “Yes, go!”
So why should you spend your time, money, and energy on attending a writers conference? I can think of a number of good reasons, and perhaps I’ll blog again to cover all of them, but for now I want to focus on two.
A question I often get from potential new clients is, “Can’t you just do one review of my manuscript so it can get done faster?” So, with this post, I thought I’d touch on why it’s rarely ever a good idea to rush the editing process for time’s sake.
With the digital age, the pace of our culture has definitely increased—seemingly light years in only the past decade or so. Take a look around you on any given day and you’ll see that most of us feel an almost constant need for speed and activity. In just the past week or so while sitting at a stop light, I’ve twice seen cars just sit there when the light turned green because the drivers were so focused on their phones.
This post, though, is not about debating the right or wrong of how much we’ve allowed the pace of our own lives to increase. Rather, it’s specifically about resisting this pull when it comes to something you hold dear to your heart: the book manuscript you’ve completed.
© 2018 John David Kudrick
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